I’d love to hear your picks in the comments. But first: Which classic novels do you suppose have been most frequently adapted for the screen?
If we factor in riffs as well as faithful adaptations, I would guesstimate Charles Dickens’ A Christmas Carol and Jane Austen’s Pride and Prejudice. And of course, Mary Shelley’s Frankenstein; Or, The Modern Prometheus. One of the saddest novels in the history of humanity has been adapted over a dozen times, the first in 1910.
And the adaptations just keep coming: A new one, called Victor Frankenstein and starring James McAvoy and Daniel Radcliffe, hits theaters on November 25. Continue reading “What is the best ever screen adaptation of a classic novel?”
You know that feeling that comes over you when you read words so perfectly, exquisitely arranged, into sentiments that ring so familiar, with insight into the human condition that cuts so deep? And you ascend into such a deep state of bliss that you feel it’s entirely possible wings will burst out of your should blades and carry you up, up, up?
Or maybe you’ll just levitate, like Uncle Albert in Mary Poppins, no wings required?
This is how I’ve been feeling lately about Charles Dickens. Continue reading “5 Times Charles Dickens Gave Me Fairy Wings”
Sometimes, I think that not reading would actually take more effort for me than reading. Words are my Pied Piper. I see them – on billboards, boxes, or between the covers of a book – and I must follow them to see where they’ll take me. I am that person who reads signage out loud without realizing it, who gets distracted by the text on cereal boxes, and who is compelled to stop and inspect bookshelves and book displays wherever I find them (hotel lobbies, hair salons, craft grocery stores – just you name it).
Except … poetry. For me to read poetry takes a concerted effort. Meaning I have to remind myself, oh go read a poem, why dontcha? I’m always happy I did, but I have to remind myself to do it. Continue reading “Literary Excursions: The Wallace Stevens Walk in Hartford, Conn.”
Taken at the since closed (sniffle) Posman Books in Grand Central Station
Twice over the last month, Facebook friends have posted book recommendation requests on my timeline. Specifically, they asked for help deciding which book they should read among the many proffered on one (or, in this case, two) of those infernal list articles with names like “100 Books You Should Read Right This Moment.”
Now, I love being asked for book recommendations. It also happens to be true that I’ve written articles like the aforementioned, albeit with more modest numerical values (I’m a fan of 10, or even an eminently manageable five). So after scrolling through the titles on each list, I was quite embarrassed to have to admit, publicly, that I have yet to read a single one of those books. Not. One. Book. Continue reading “All About the Books, But Which Books, Exactly?”
Since this is my first post, a few words of introduction seem in order. I am a writer, teacher, and avowed book lover (more on these at my “about” page). Here is where I will write about what I’m reading and my other bookish pursuits (attending author talks, visiting literary landmarks, etc.).
So what do I read? I enjoy almost all genres, except horror and erotica, which have in common that they tend to be more explicit that I favor. I prefer ambiguity and allusion because I have it in my head that they make me work a little harder, stimulate my imagination, and compel me to think. But I suspect this is me crafting a clever cover for the fact that I just don’t like to read explicit violence and sex. I find it alarming.
As a reader, I tend to go through phases. Continue reading “Ten Things About (Reading) Me”